2013년 11월 26일 화요일

오전 7:17

By Chester Chain

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2 comments

About 'fx trade signals'|Trade Signal Update: FX Spyder







About 'fx trade signals'|Trade Signal Update: FX Spyder








Ｔｈｅ               ｉｍｐｏｒｔａｎｃｅ               ｏｆ               ａｕｄｉｏ               ｉｎ               ａ               ｖｉｄｅｏ               ｐｒｏｄｕｃｔｉｏｎ               ｃａｎ               ｎｏｔ               ｂｅ               ｏｖｅｒ               ｓｔａｔｅｄ.

Ａｕｄｉｏ               ｆｉｅｌｄ               ｍｉｘｅｒｓ               ａｎｄ               ｒｅｃｏｒｄｅｒｓ               ｅｎｓｕｒｅ               ｔｈａｔ               ａｕｄｉｏ               ｂｅｉｎｇ               ｒｅｃｏｒｄｅｄ               ｉｎ               ｐｒｏｄｕｃｔｉｏｎ               ａｎｄ               ｐｏｓｔ               ｐｒｏｄｕｃｔｉｏｎ               ｓｅｔｔｉｎｇｓ               ｒｅａｃｈ               ｔｈｅ               ｓａｍｅ               ｌｅｖｅｌ               ｏｆ               ｑｕａｌｉｔｙ               ａｓ               ｔｈａｔ               ｏｆ               ｔｈｅ               ｖｉｄｅｏ.
Ｔｈｅｒｅ               ａｒｅ               ｔｗｏ               ｔｙｐｅｓ               ｏｆ               ａｕｄｉｏ               ｄｅｖｉｃｅｓ               ｃｏｍｍｏｎｌｙ               ｆｏｕｎｄ               ｉｎ               ｕｓｅ               ｉｎ               ｖｉｄｅｏ               ｐｒｏｄｕｃｔｉｏｎｓ               -               ａｕｄｉｏ               ｆｉｅｌｄ               ｍｉｘｅｒｓ               ａｎｄ               ａｕｄｉｏ               ｒｅｃｏｒｄｅｒｓ.

Ｅａｃｈ               ｈａｓ               ｉｔｓ               ｏｗｎ               ｓｔｒｅｎｇｔｈｓ,               ｗｈｉｃｈ               ａｒｅ               ｄｉｒｅｃｔｌｙ               ｒｅｌａｔｅｄ               ｔｏ               ｗｈｅｒｅ               ｉｔ               ｉｓ               ｂｅｉｎｇ               ｕｓｅｄ.

Ｆｏｒ               ｔｈｉｓ               ｒｅａｓｏｎ,               ｙｏｕ               ｄｏｎ'ｔ               ｄｉｓｃｕｓｓ               ｔｈｅｍ               ａｓ               ｂｅｉｎｇ               ｉｎｔｅｒｃｈａｎｇｅａｂｌｅ,               ｂｕｔ               ａｓ               ｉｎｄｉｖｉｄｕａｌｓ.

Ｏｎ               ｔｈｅ               ｓｔｏｒｙ               ｏｆ               ｐｒｉｃｅ,               ｈｏｗｅｖｅｒ,               ｔｈｅ               ｔｗｏ               ｓｈａｒｅ               ｔｈｅ               ｃｏｍｍｏｎａｌｉｔｙ               ｏｆ               ｐｒｉｃｅｓ               ｂｅｉｎｇ               ａｆｆｏｒｄａｂｌｅ               ｔｏ               ｍｏｄｅｒａｔｅｌｙ               ａｆｆｏｒｄａｂｌｅ               ｔｏ               ａ               ｔａｄ               ｅｘｏｒｂｉｔａｎｔ               -               ｄｅｐｅｎｄｉｎｇ               ｏｎ               ｙｏｕｒ               ｐａｒｔｉｃｕｌａｒ               ｎｅｅｄｓ.

Ｉｔ'ｓ               ｆａｉｒ               ｔｏ               ｓａｙ               ｔｈａｔ               ｔｈｅ               ｍｏｒｅ               ｆｅａｔｕｒｅｓ               ｐｉｌｅｄ               ｏｎ,               ｔｈｅ               ｍｏｒｅ               ｔｈｅ               ｃｏｓｔ.

Ｂｕｔ               ｉｔ'ｓ               ａｌｓｏ               ｆａｉｒ               ｔｏ               ｓａｙ               ｔｈａｔ               ｃｏｓｔ               ｃａｎ               ｂｅ               ｉｎｆｌｕｅｎｃｅｄ               ｂｙ               ｔｈｅ               ｐｈｙｓｉｃａｌ               ｓｔｒｕｃｔｕｒｅ               ａｓ               ｗｅｌｌ,               ｆｏｒ               ｅｘａｍｐｌｅ,               ｔｈｅ               ｎｕｍｂｅｒ               ｏｆ               ｉｎｐｕｔｓ               ｏｒ               ｏｕｔｐｕｔｓ,               ａｓ               ｏｐｐｏｓｅｄ               ｔｏ               "ｂｅｌｌｓ               ａｎｄ               ｗｈｉｓｔｌｅｓ."               Ａｕｄｉｏ               Ｆｉｅｌｄ               Ｍｉｘｅｒｓ               
               Ａｎ               ａｕｄｉｏ               ｆｉｅｌｄ               ｍｉｘｅｒ               ｉｓ               ｄｅｓｉｇｎｅｄ               ｆｏｒ               ｕｓｅ               "ｉｎ               ｔｈｅ               ｆｉｅｌｄ,"               ｗｈｉｃｈ               ｉｓ               ｔｏ               ｓａｙ               ｏｕｔｓｉｄｅ               ｏｆ               ａ               ｃｏｎｔｒｏｌｌｅｄ               ｅｎｖｉｒｏｎｍｅｎｔ,               ｆｏｒ               ｅｘａｍｐｌｅ               ａｔ               ａ               ｃｏｎｃｅｒｔ               ｏｒ               ａｔ               ａ               ｌｉｖｅ               ｓｈｏｏｔ               ｏｎ               ｌｏｃａｔｉｏｎ.

Ｔｈｅ               ｍｉｓｓｉｏｎ               ｏｆ               ａ               ｆｉｅｌｄ               ｍｉｘｅｒ               ｉｓ               ｔｏ               ｃｏｎｓｏｌｉｄａｔｅ               ｍｉｃｒｏｐｈｏｎｅｓ               ａｎｄ               ｏｔｈｅｒ               ａｕｄｉｏ               ｇｅａｒ               ａｎｄ               ｔｒａｎｓｆｅｒ               ｔｈｅ               ｒｅｓｕｌｔｓ               ｔｏ               ａ               ｃａｍｃｏｒｄｅｒ'ｓ               ａｕｄｉｏ               ｉｎｐｕｔ               (ｉ.ｅ.,               ｍｉｃｒｏｐｈｏｎｅ               ｊａｃｋ)               ｗｈｅｎ               ｉｔ'ｓ               ｐａｒｔ               ｏｆ               ｔｈｅ               ｓｈｏｏｔｉｎｇ               ｐｒｏｃｅｓｓ.

Ｔｈｅ               ｂａｓｉｃ               ｓｅｔｕｐ               ｗｈｅｎ               ｕｓｉｎｇ               ａ               ｆｉｅｌｄ               ｍｉｘｅｒ               ｉｓ               ｐｒｅｔｔｙ               ｉｎｔｕｉｔｉｖｅ               ｂｙ               ｎａｔｕｒｅ;               ｐｌａｃｅ               ｔｈｅ               ｆｉｅｌｄ               ｍｉｘｅｒ               ｎｅａｒ               ｔｈｅ               ｃａｍｅｒａ               ｔｏ               ｓｔａｒｔ.

Ｔｈｅｎ               ｐｌｕｇ               ｉｎ               ａｎｙ               ｏｆ               ａ               ｗｉｄｅ               ｖａｒｉｅｔｙ               ｏｆ               ｄｉｆｆｅｒｅｎｔ               ａｕｄｉｏ               ｄｅｖｉｃｅｓ               ｉｎｔｏ               ｔｈｅ               ｉｎｐｕｔｓ               -               ｆｒｏｍ               ｍｉｃｒｏｐｈｏｎｅｓ               ｔｏ               ｗｉｒｅｌｅｓｓ               ｒｅｃｅｉｖｅｒ               ｓｙｓｔｅｍｓ               ａｎｄ               ｍｏｒｅ.

Ａｄｊｕｓｔ               ｔｈｅ               ａｕｄｉｏ               ｆｒｏｍ               ａｌｌ               ｏｆ               ｔｈｅ               ｓｏｕｒｃｅｓ               ａｎｄ               ｓｅｎｄ               ｉｔ               ｏｎ               ｉｔｓ               ｗａｙ.


               Ａ               ｆｉｅｌｄ               ｍｉｘｅｒ               ｓｈｏｕｌｄ               ｂｅ               ｂｕｉｌｔ               ｒｕｇｇｅｄ               ａｓ               ａ               ｍａｔｔｅｒ               ｏｆ               ｃｏｕｒｓｅ               ｓｉｎｃｅ               ｉｔ               ｗｉｌｌ               ｂｅ               ｔｒａｎｓｐｏｒｔｅｄ               ａｎｄ               ｓｅｔｕｐ               ｏｆｔｅｎ.

Ｎｅａｒｌｙ               ａｌｌ               ｍｉｘｅｒｓ               ｎｏ               ｌｏｎｇｅｒ               ｕｓｅ               ａｎｙ               ａｎａｌｏｇ               ｅｌｅｍｅｎｔｓ.

Ｍｉｘｅｒｓ               ａｒｅ               ｐｒｉｍａｒｉｌｙ               ｄｉｇｉｔａｌｌｙ               ｏｒｉｅｎｔｅｄ               ａｓ               ａ               ｗａｙ               ｔｏ               ｅｌｉｍｉｎａｔｅ               ｔｈｅ               ｏｖｅｒｌｏａｄｉｎｇ               ａｎｄ               ｃｌｉｐｐｉｎｇ               ａｔ               ｔｈｅ               ｍｉｃ'ｓ               ｐｒｅａｍｐ               ａｎｄ               ｔｈｅ               ｂａｃｋｇｒｏｕｎｄ               ｈｉｓｓ               ｔｈａｔ               ｉｓ               ｉｎｈｅｒｅｎｔ.

Ａｓ               ａｎ               ｅｘａｍｐｌｅ,               ｔｈｅｒｅ'ｓ               ｔｈｅ               ＢｅａｃｈＴｅｋ               ＤＸＡ-2Ｔ               ＸＬＲ               Ａｕｄｉｏ               Ａｄａｐｔｅｒ               -               ｎｏｉｓｅ-ｆｒｅｅ               ｏｐｅｒａｔｉｏｎ               ａｎｄ               ａｌｕｍｉｎｕｍ               ｂｏｄｙ               ｓｔａｎｄａｒｄ               ａｎｄ               ｕｔｉｌｉｚｅｓ               ｔｒｉｍ               ｃｏｎｔｒｏｌｓ               ｆｏｒ               ａｄｊｕｓｔｉｎｇ               ｉｎｄｉｖｉｄｕａｌ               ｉｎｐｕｔ               ｌｅｖｅｌｓ               ｓｅｐａｒａｔｅｌｙ               ａｎｄ               ａ               ｓｔｅｒｅｏ/ｍｏｎｏ               ｓｗｉｔｃｈ               ｔｏ               ｈａｎｄｌｅ               ｔｈｅ               ｏｕｔｐｕｔ               ｐｅｒ               ｙｏｕｒ               ｓｐｅｃｉｆｉｃａｔｉｏｎｓ.

Ｙｏｕ               ｃａｎ               ｊｕｍｐ               ｕｐ               ａ               ｌｉｔｔｌｅ               ｉｎ               ｐｒｉｃｅ               ａｎｄ               ｇｏ               ｗｉｔｈ               ｔｈｅ               ＤＸＡ-ＦＸ               ＨＤＶ:               ｂａｔｔｅｒｙ               ｐｏｗｅｒｅｄ               ｍｅａｎｓ               ａ               ｍｉｎｕｓｃｕｌｅ               ａｍｏｕｎｔ               ｏｆ               ｉｎｃｒｅａｓｅｄ               ｗｅｉｇｈｔ               (ａ               ｃｏｎｄｅｎｓｅｒ               ｍｉｃ               ｎｅｅｄｓ               ｔｏ               ｓｕｐｐｌｙ               ｉｔｓ               ｏｗｎ               ｐｏｗｅｒ               ａｓ               ｔｈｅ               ＤＸＡ-ＦＸ               ＨＤＶ               ｄｏｅｓｎ'ｔ               ｄｏ               "Ｐｈａｎｔｏｍ"               ｐｏｗｅｒ).

Ｄｅｓｉｇｎｅｄ               ｔｏ               ｈａｎｄｌｅ               ａ               ｂａｌａｎｃｅｄ               ａｎｄ               ｕｎｂａｌａｎｃｅｄ               ｍｉｃｒｏｐｈｏｎｅ,               ｗｉｔｈ               ｌｏｗ               ｎｏｉｓｅ               ｐｒｅａｍｐｌｉｆｉｅｒｓ               ａｎｄ               ｔｈｅ               ａｂｉｌｉｔｙ               ｔｏ               ｂｏｏｓｔ               ａ               ｍｉｃ'ｓ               ａｕｄｉｏ               ｓｉｇｎａｌ               ｉｎｃｏｍｉｎｇ               ｔｏ               ｔｈａｔ               ｄｅｓｉｒａｂｌｅ               "ｓｗｅｅｔ               ｓｐｏｔ."               
               Ａｚｄｅｎ               ｆｅａｔｕｒｅｓ               ａ               3-ｃｈａｎｎｅｌ               ｍｏｄｅｌ               ｏｆ               ｔｈｅ               ＦＭＸ-32               ｔｈａｔ               ｍｅｅｔｓ               ｔｈｅ               ｎｅｅｄｓ               ｏｆ               ｔｈｅ               "Ｐｈａｎｔｏｍ"               ｐｏｗｅｒ               ｃｏｎｄｅｎｓｅｒ               ｍｉｃ               ａｌｏｎｇ               ｗｉｔｈ               ａ               ｈｏｏｋ               ａｎｄ               ｌｏｏｐｉｎｇ               ｓｙｓｔｅｍ               ｆｏｒ               ａｔｔａｃｈｉｎｇ               ｉｔ               ｔｏ               ｔｈｅ               ｃａｍｅｒａ               (ｋｅｅｐｉｎｇ               ｉｔ               ｏｆｆ               ｔｈｅ               ｇｒｏｕｎｄ               ｉｓ               ａｌｗａｙｓ               ａ               ｇｏｏｄ               ｍｏｖｅ).

Ａ               5-ｓｔｅｐ               ＬＥＤ               ａｒｒａｙ               ｈｅｒａｌｄｓ               ｈｏｗ               ｓｉｇｎａｌ-ｍｏｎｉｔｏｒｉｎｇ               ｉｓ               ｄｏｎｅ               ｉｎ               ｔｈｅ               21ｓｔ               Ｃｅｎｔｕｒｙ               ｗｈｉｌｅ               ａ               ｓｗｉｔｃｈａｂｌｅ               ｉｎｐｕｔ               ｌｉｍｉｔｅｒ               ｒｅｄｕｃｅｓ               ｔｈｅ               ｃｈａｎｃｅ               ｏｆ               ｏｖｅｒｌｏａｄ               ｄｉｓｔｏｒｔｉｏｎ.

Ｔｈｏｓｅ               ｗｈｏ               ｎｅｅｄ               ａｄｄｒｅｓｓａｂｌｅ               ｏｕｔｐｕｔｓ               ｗｉｌｌ               ｆｉｎｄ               ｉｔ               ｈｅｒｅ,               ａｌｏｎｇ               ｗｉｔｈ               ａ               1/4"               ｍｏｎｉｔｏｒ               ｈｅａｄｐｈｏｎｅ               ｊａｃｋ               ｗｉｔｈ               ｌｅｖｅｌ               ｃｏｎｔｒｏｌ,               ｔｈｒｅｅ               ｂａｌａｎｃｅｄ               ＸＬＲ               ｍｉｃ               ｉｎｐｕｔｓ,               ｃｈａｎｎｅｌ               ａｄｄｒｅｓｓａｂｌｅ               ｂａｌａｎｃｅｄ               ＸＬＲ               ｌｉｎｅ-ｌｅｖｅｌ               ｏｕｔｐｕｔｓ               ｗｉｔｈ               ｌｅｖｅｌ               ｃｏｎｔｒｏｌｓ               ａｎｄ               ａ               ｓｔｅｒｅｏ               ｍｉｎｉ-ｊａｃｋ               ｐｏｒｔ.

Ａｌｌ               ｆｏｒ               ｔｈｅ               ｐｒｏｆｅｓｓｉｏｎａｌ               ｖｉｄｅｏｇｒａｐｈｅｒ               ｗｈｏ               ｎｅｅｄｓ               ｉｔ               ｏｒ               ｔｈｏｓｅ               ｗｈｏ               ｗａｎｔ               ｔｏ               ａｔｔａｉｎ               ｔｈｅ               ｓａｍｅ               ｌｅｖｅｌ               ｏｆ               ｃｏｎｔｒｏｌ               ｏｖｅｒ               ｔｈｅｉｒ               ａｕｄｉｏ.


               Ｂｕｔ               ｉｆ               ｙｏｕ               ｗａｎｔ               ｔｏ               ｇｅｔ               ｒｅａｌ               ｔｉｎｙ,               ｐｉｃｋ               ｕｐ               Ａｚｄｅｎ'ｓ               ＣＡＭ               3               ＤＳＬＲ               Ｍｉｘｅｒ               -               ａｓ               ｔｈｅ               ｎａｍｅ               ｓｕｇｇｅｓｔｓ               ｉｔ               ｗｏｒｋｓ               ｇｒｅａｔ               ｗｉｔｈ               ｄｉｇｉｔａｌ               ｃａｍｅｒａｓ               ｂｅｉｎｇ               ｕｓｅｄ               ａｓ               ｖｉｄｅｏｃａｍｓ;               ｍｉｘｉｎｇ               ｕｐ               ｔｏ               ｔｈｒｅｅ               ｍｉｃ               ｓｏｕｒｃｅｓ               ｓｉｍｕｌｔａｎｅｏｕｓｌｙ               ａｎｄ               ｗｅｉｇｈｉｎｇ               ａｌｌ               ｏｆ               ｔｈｒｅｅ               ｏｕｎｃｅｓ.


               Ｗｉｒｅｌｅｓｓ               ｓｙｓｔｅｍｓ,               ｂｙ               ｔｈｅ               ｗａｙ,               ｅｌｉｍｉｎａｔｅ               ｔｈｅ               ｗｉｒｉｎｇ               ｂｅｔｗｅｅｎ               ａ               ｍｉｃｒｏｐｈｏｎｅ               ａｎｄ               ａ               ｍｉｘｅｒ               ｏｒ               ｒｅｃｏｒｄｅｒ               -               ｂｅｉｎｇ               ｈｉｇｈｌｙ               ｕｓｅｆｕｌ               ｉｎ               ｅｎｖｉｒｏｎｍｅｎｔｓ               ｗｈｅｒｅ               ｃａｂｌｉｎｇ               ｉｓ               ｉｍｐｒａｃｔｉｃａｌ               ｏｒ               ａｌｒｅａｄｙ               ａｂｕｎｄａｎｔ.

Ｔｈｅ               ｂａｓｉｃｓ               ｏｆ               ａ               ｗｉｒｅｌｅｓｓ               ｓｙｓｔｅｍ               ｗｏｒｋ               ｉｎ               ａ               ｓｉｍｉｌａｒ               ｍａｎｎｅｒ               ｔｏ               ｔｈｏｓｅ               ｖｉｄｅｏ               ｔｒａｎｓｍｉｔｔｅｒｓ               ｕｓｅｄ               ｉｎ               ｈｏｍｅ               ｔｈｅａｔｅｒ               ｓｉｔｕａｔｉｏｎｓ:               ｔｈｅ               ｍｉｃ               ｉｓ               ｐｌｕｇｇｅｄ               ｉｎｔｏ               ｔｈｅ               ｔｒａｎｓｍｉｔｔｅｒ               ｗｈｉｃｈ               ｓｅｎｄｓ               ａｎ               ａｕｄｉｏ               ｓｉｇｎａｌ               ｔｏ               ｂｅ               ｒｅｃｅｉｖｅｄ               ｂｙ               ｔｈｅ               ｗｉｒｅｌｅｓｓ               ｒｅｃｅｉｖｅｒ               ｗｈｉｃｈ               ｉｓ               ｉｔｓｅｌｆ               ｃｏｎｎｅｃｔｅｄ               ｔｏ               ａ               ｍｉｘｅｒ               ｏｒ               ｒｅｃｏｒｄｅｒ.

Ａｓ               ｅｘａｍｐｌｅ,               ｔｈｅ               Ａｕｄｉｏ-Ｔｅｃｈｎｉｃａ               200               ｓｅｒｉｅｓ               Ｆｒｅｅｗａｙ               ＶＨＦ               ｍｏｄｅｌ               ｃｏｍｂｉｎｅｓ               ａ               ｒｅｃｅｉｖｅｒ               ａｎｄ               ａ               ｔｒａｎｓｍｉｔｔｉｎｇ               ｍｉｃｒｏｐｈｏｎｅ               (ｉｎｓｔｅａｄ               ｏｆ               ａ               ｔｒａｎｓｍｉｔｔｅｒ)               ｔｈａｔ               ｉｓ               ｆｕｎｃｔｉｏｎｉｎｇ               ｏｎ               ａ               ｓｉｎｇｌｅ               ｃｈａｎｎｅｌ.

Ｓｉｍｐｌｅ               ｏｐｅｒａｔｉｏｎ               ｉｓ               ｅｘｐｅｃｔｅｄ               (ａｎｄ               ｇａｉｎｅｄ)               ｔｈｒｏｕｇｈ               ｄｉｐｏｌｅ               ａｎｔｅｎｎａｓ.

Ａｕｄｉｏ-Ｔｅｃｈｎｉｃａ               ａｌｓｏ               ｐｒｏｄｕｃｅｓ               ｓｙｓｔｅｍｓ               ｔｈａｔ               ａｌｌｏｗｓ               ｔｈｅｉｒ               ｌｉｎｅ               ｏｆ               ｍｉｃｓ               (ｏｒ               ｏｔｈｅｒｓ)               ｔｏ               ｂｅ               ｕｓｅｄ               ｗｉｔｈ               ａ               ｔｒａｎｓｍｉｔｔｅｒ               ｉｎｓｔｅａｄ.

Ｉｎ               ｅｉｔｈｅｒ               ｃａｓｅ,               ｂａｔｔｅｒｙ               ｐｏｗｅｒ               ｓｕｐｐｌｉｅｓ               ｔｈｅ               ｎｅｅｄｅｄ               ｅｌｅｃｔｒｉｃｉｔｙ.


               Ｔｈｉｓ               ｍｉｇｈｔ               ｂｅ               ａ               ｇｏｏｄ               ｔｉｍｅ               ｔｏ               ｎｏｔｅ               ｔｈａｔ,               ｕｎｌｉｋｅ               ｕｎｉｔｓ               ｄｅｓｉｇｎｅｄ               ｆｏｒ               ｉｎｔｅｒｉｏｒ               ｕｓｅ,               ｔｈｅ               ｂａｔｔｅｒｉｅｓ               ｐｏｗｅｒｉｎｇ               ｅｌｅｃｔｒｏｎｉｃｓ               ａｒｅ               ｎｏｔ               ｂｕｌｋｙ               ｏｒ               ｃｕｍｂｅｒｓｏｍｅ.

Ｐｅｒｈａｐｓ               ｎｏｔ               ａｓ               ｌｏｎｇ-ｌａｓｔｉｎｇ               ａｓ               ａ               ｈｅａｖｙ-ｄｕｔｙ               ｂａｔｔｅｒｙ,               ｂｕｔ               ｔｈｅ               ｔｒａｄｅ-ｏｆｆ               ｒｅｓｕｌｔｓ               ｉｎ               ｖｅｒｙ               ｌｉｔｔｌｅ               ａｄｄｅｄ               ｗｅｉｇｈｔ               ｔｏ               ｔｈｅ               ｄｅｖｉｃｅ               ｂｅｉｎｇ               ｒｕｎ.


               Ａｓ               ａｎ               ｅｘａｍｐｌｅ               ｏｆ               ｈｏｗ               ａ               ｓｉｎｇｌｅ               9-ｖｏｌｔ               ｃａｎ               ｓｕｐｐｌｙ               ｐｏｗｅｒ               ｔｏ               ａ               ｍｉｘｅｒ,               ｔｈｅｒｅ'ｓ               ＪｕｉｃｅｄＬｉｎｋ'ｓ               ＣＸ231               Ｃａｍｃｏｒｄｅｒ               ＸＬＲ               Ａｄａｐｔｅｒ/Ｐｒｅａｍｐ.

Ｉｔ               ｂａｌａｎｃｅｓ               ａｕｄｉｏ               ｓｉｇｎａｌｓ               ｇｏｉｎｇ               ｉｎｔｏ               ｙｏｕｒ               ｃａｍｃｏｒｄｅｒ               -               ｆｒｏｍ               ａ               ｍｉｘｉｎｇ               ｂｏａｒｄ               ｔｈａｔ               ｈａｎｄｌｅｓ               ｂｏｔｈ               ｃｏｎｄｅｎｓｅｒ               (ｐｏｗｅｒｅｄ)               ａｎｄ               ｄｙｎａｍｉｃ               ｍｉｃｓ               -               ａｌｏｎｇ               ｗｉｔｈ               ｕｎｂａｌａｎｃｅｄ               ｓｏｕｒｃｅｓ,               ｌｉｋｅ               ｗｉｒｅｌｅｓｓ               ｍｉｃ               ｒｅｃｅｉｖｅｒｓ.

Ｙｏｕ               ａｄｊｕｓｔ               ｔｈｅ               ｇａｉｎ               (ａｔ               ｔｈｒｅｅ               ｌｅｖｅｌｓ)               ｔｏ               ｉｍｐｒｏｖｅ               ｏｎ               ｔｈｅ               ｃａｍｃｏｒｄｅｒ'ｓ               ｓｉｇｎａｌ-ｔｏ-ｎｏｉｓｅ               ｐｅｒｆｏｒｍａｎｃｅ.

Ｒｕｇｇｅｄｌｙ               ｍａｄｅ               ｆｏｒ               ｏｕｔｄｏｏｒ               ｕｓｅ,               ｉｔ               ｃａｎ               ｍｏｕｎｔ               ｔｏ               ｔｈｅ               ｂｏｔｔｏｍ               ｏｆ               ｔｈｅ               ｃａｍｃｏｒｄｅｒ               ｏｒ               ｔｈｅ               ｓｉｄｅ               ｏｆ               ｔｈｅ               ｔｒｉｐｏｄ.

Ｕｐｐｅｒ               ｔｉｅｒ               ｓｏｌｕｔｉｏｎｓ               ｈａｖｅ               ｔｈｅ               ＣＸ431               ａｄｄｉｎｇ               ｔｏ               ｔｈｅ               ｉｎｐｕｔｓ,               ｗｈｉｌｅ               ｔｈｅ               ＤＴ454               ＤＳＬＲ               Ａｕｄｉｏ               ｓｏｌｕｔｉｏｎ               ｐｒｏｖｉｄｅｓ               ｔｗｏ               ｍｉｃ               ｃｈａｎｎｅｌｓ               ｅａｃｈ               ｏｆ               ＸＬＲ               ａｎｄ               ｕｎｂａｌａｎｃｅｄ,               ｔｗｏ               ｓｅｎｓｉｔｉｖｉｔｙ               ｓｅｔｔｉｎｇｓ,               ＬＥＤ               ｍｅｔｅｒｉｎｇ               ｔｏ               ｍａｋｅ               ｉｔ               ｗｅｌｌ               ｓｕｉｔｅｄ               ｆｏｒ               ＤＳＬＲ               ｕｓｅ.


               Ｍｅａｎｗｈｉｌｅ               Ｓｈｕｒｅ,               ｔｈｅ               ｗｅｌｌ-ｋｎｏｗｎ               ｍｉｃｒｏｐｈｏｎｅ               ｂｒａｎｄ,               ｈａｓ               ｎｏｔ               ａｖｏｉｄｅｄ               ａｕｄｉｏ               ｍｉｘｅｒｓ               ａｎｄ               ｉｎ               ｆａｃｔ               ｈａｓ               ｕｐｐｅｄ               ｔｈｅ               ａｎｔｅ               ｂｙ               ｂｕｉｌｄｉｎｇ               ｉｎ               ａｕｔｏｍａｔｉｏｎ               ｔｈａｔ               ｃｌｏｓｅｓ               ｍｉｃｓ               ｔｈａｔ               ａｒｅ               ａｔｔａｃｈｅｄ               ｂｕｔ               ｎｏｔ               ｉｎ               ｕｓｅ,               ｔｏ               ｒｅｄｕｃｅ               ｓｕｃｈ               ｔｈｉｎｇｓ               ａｓ               ｂａｃｋｇｒｏｕｎｄ               ｎｏｉｓｅ,               ｒｅｖｅｒｂｅｒａｔｉｏｎ               ａｎｄ               ｒｅｄｕｃｅｄ               ｇａｉｎ               ｂｅｆｏｒｅ               ｆｅｅｄｂａｃｋ.

Ｔｈｅ               4-ｃｈａｎｎｅｌ               ＳＣＭ410,               ｆｏｒ               ｅｘａｍｐｌｅ,               ｉｎｃｌｕｄｅｓ               ｆｏｕｒ               ｂａｌａｎｃｅｄ               ｍｉｃ               ｌｅｖｅｌ               ＸＬＲ               ｉｎｐｕｔｓ,               ａ               ｂａｌａｎｃｅｄ               ｍｉｃ/ｌｉｎｅ               ｓｗｉｔｃｈａｂｌｅ               ＸＬＲ               ｏｕｔｐｕｔ               ａｎｄ               ａｎ               ｕｎｂａｌａｎｃｅｄ               ＲＣＡ               ａｕｘｉｌｉａｒｙ               ｏｕｔｐｕｔ.

Ｉｔ               ｅｘｐｅｃｔｓ               ＡＣ               ｐｏｗｅｒ,               ｗｈｉｃｈ               ｉｓ               ａｔｔａｉｎａｂｌｅ               ｏｎ               ｌｏｃａｔｉｏｎ               ｓｈｏｏｔｓ               ｔｈａｔ               ａｒｅ               ｎｏｔ               ｉｎ               ｔｈｅ               "ｈｅａｒｔ"               ｏｆ               ｔｈｅ               ｗｉｌｄｅｒｎｅｓｓ.


               Ａｓ               ｃａｎ               ｂｅ               ｓｅｅｎ,               ｍｉｘｅｒｓ               ｅｘｐｅｃｔ               ｙｏｕ               ｔｏ               ｋｎｏｗ               ｔｈｅ               ｋｉｎｄ               ｏｆ               ａｕｄｉｏ               ｓｏｕｒｃｅｓ               ｔｈａｔ               ｗｉｌｌ               ｂｅ               ｎｅｅｄｅｄ               --               ｔｈｅｎ               ｔｈｅ               ａｐｐｒｏｐｒｉａｔｅ               ｍｉｘｅｒ               ｔｈａｔ               ｃａｎ               ｈａｎｄｌｅ               ｙｏｕｒ               ｎｅｅｄｓ               ｓｔｅｐｓ               ｕｐ               ｔｏ               ｔｈｅ               ｐｌａｔｅ.

Ｈａｖｉｎｇ               ｍｏｒｅ               ｃｈｏｉｃｅｓ               ｔｈａｎ               ｎｏｔ               ｍａｙ               ｓｅｅｍ               ｏｖｅｒｗｈｅｌｍｉｎｇ               ａｔ               ｆｉｒｓｔ,               ｂｕｔ               ｕｌｔｉｍａｔｅｌｙ               ａｌｌ               ｗｏｕｌｄ               ａｇｒｅｅ               ｔｈａｔ               ｉｔ'ｓ               ａ               ｇｏｏｄ               ｔｈｉｎｇ.
               Ａｕｄｉｏ               Ｒｅｃｏｒｄｅｒｓ               
               Ａｕｄｉｏ               ｒｅｃｏｒｄｅｒｓ               ｄｏ               ｗｈａｔ               ｔｈｅｉｒ               ｎａｍｅ               ｉｍｐｌｉｅｓ               -               ｔｈｅｙ               ｒｅｃｏｒｄ               ａｕｄｉｏ               ａｓ               ｉｔ               ｈａｐｐｅｎｓ               ｉｎ               ｒｅａｌ-ｔｉｍｅ.

Ａｎ               ａｕｄｉｏ               ｒｅｃｏｒｄｅｒ               ｂｅｉｎｇ               ｕｓｅｄ               ｉｎ               ｇｅｎｅｒａｌ               ｄｏｅｓｎ'ｔ               ｃａｒｅ               ｗｈｅｔｈｅｒ               ｉｔ'ｓ               ｏｎ               ｌｏｃａｔｉｏｎ               ｏｒ               ｉｎ               ｙｏｕｒ               ｂａｓｅｍｅｎｔ               ｏｒ               ａｔ               ａ               ｓｔｕｄｉｏ               ｓｅｔｔｉｎｇ               -               ｗｈａｔ               ｉｔ               ｃａｒｅｓ               ａｂｏｕｔ               ｉｓ               ｔｈａｔ               ｔｈｅｒｅ'ｓ               ａｕｄｉｏ               ｔｏ               ｃａｐｔｕｒｅ.

Ｔｈｏｓｅ               ｄａｙｓ               ｏｆ               ａｎａｌｏｇ               ｔａｐｅ               ｄｅｃｋｓ               ａｎｄ/ｏｒ               ａｕｄｉｏ               ｃａｓｓｅｔｔｅｓ               ｉｓ               ｌｏｎｇ               ｇｏｎｅ               -               ｇｏｏｄ               ｒｉｄｄａｎｃｅ               -               ｗｉｔｈ               ｄｉｇｉｔａｌ               ｔｅｃｈｎｏｌｏｇｉｅｓ               ｆｅｅｄｉｎｇ               ｓｏｌｉｄ-ｓｔａｔｅ               ｓｔｏｒａｇｅ.

Ｔｈｅ               ｌｅｖｅｌ               ｏｆ               ｔｈｅ               ｃｏｎｔｒｏｌ               ｏｖｅｒ               ｔｈｅ               ｒｅｃｏｒｄｉｎｇ               ｈａｓ               ｂｅｅｎ               ｕｐｐｅｄ               ｔｏｏ               -               ｆｏｒ               ｅｘａｍｐｌｅ,               ｔａｋｅ               ＺＯＯＭ'ｓ               Ｈ4ｎ               ＨＡＮＤＹ               Ｒｅｃｏｒｄｅｒ               ａｎｄ               ｉｔｓ               ｓｔｅｒｅｏ               ｏｎｂｏａｒｄ               ｃｏｎｄｅｎｓｅｒ               ｍｉｃｓ               ｗｉｔｈ               ａ               ｖａｒｉａｂｌｅ               90-ｄｅｇｒｅｅ               ｏｒ               120-ｄｅｇｒｅｅ               ｒｅｃｏｒｄｉｎｇ               ｐａｔｔｅｒｎ.

Ａｓ               ｂｅｆｉｔｓ               ｔｈｅｉｒ               ｔｏｐ-ｏｆ-ｔｈｅ-ｌｉｎｅ               ｐｒｏｄｕｃｔｓ,               ｆｏｕｒ               ｃｈａｎｎｅｌｓ               ｃａｎ               ｂｅ               ｒｅ-ｃｏｒｄｅｄ               ｓｉｍｕｌｔａｎｅｏｕｓｌｙ               ａｎｄ               ａｄｄｉｔｉｏｎａｌ               ｍｉｃｓ               ｃａｎ               ｂｅ               ａｄｄｅｄ               ｔｏ               ｔｈｅ               ｔｗｏ               ｏｎｂｏａｒｄ.

Ｉｎｐｕｔｓ               ｆｏｒ               ｏｔｈｅｒ               ａｕｄｉｏ               ｄｅｖｉｃｅｓ,               ｓｕｃｈ               ａｓ               ａ               ｇｕｉｔａｒ,               ａ               ＵＳＢ               ｃｏｎｎｅｃｔｉｏｎ               ｔｏ               ｌｏａｄ               ｔｏ               ａ               ｃｏｍｐｕｔｅｒ               ｏｒ               ａ               ｂｉｇ               ＬＣＤ               ｓｃｒｅｅｎ               ａｒｅ               ｊｕｓｔ               ｐａｒｔ               ｏｆ               ｔｈｅ               ｐａｃｋａｇｅ,               ａｓ               ｉｓ               ｂｕｉｌｔ-ｉｎ               ｍｉｘｉｎｇ               ｃａｐａｂｉｌｉｔｉｅｓ.


               Ｔｈｏｓｅ               ｌｏｏｋｉｎｇ               ｔｏ               ｓｔａｒｔ               ｓｌｏｗ               ｃａｎ               ｔａｋｅ               ｔｈｅ               Ｈ2               ｆｏｒ               ａ               ｒｉｄｅ               ｆｉｒｓｔ;               ｔｈｅ               ｆｏｕｒ               ｃｏｎｄｅｎｓｅｒ               ｍｉｃｓ               ｏｎｂｏａｒｄ               ａｒｅｎ'ｔ               ｌｏｃｋｅｄ               ｉｎｔｏ               ｆｉｘｅｄ               ｒｅｃｏｒｄｉｎｇ               ａｎｇｌｅｓ.

Ａｄｄｉｔｉｏｎａｌｌｙ,               2-ｃｈａｎｎｅｌ,               4-ｃｈａｎｎｅｌ               (ｔｕｒｎ               ｉｔ               ｉｎｔｏ               5.1               ｉｆ               ｙｏｕ               ｗａｎｔ)               ｏｒ               360-ｄｅｇｒｅｅ               ｒｅｃｏｒｄｉｎｇｓ               ａｒｅ               ｔｈｅｒｅ               ｉｆ/ｗｈｅｎ               ｙｏｕ               ｗａｎｔ               ｔｈｅｍ,               ａｓ               ｉｓ               ａ               ｃｏｍｐｕｔｅｒ               ＵＳＢ               ｉｎｔｅｒｆａｃｅ.

Ｂｕｔ               ｔｈｏｓｅ               ｗｈｏ               ｗａｎｔ               ｔｏ               ｃｏｍｂｉｎｅ               ｈａｎｄｈｅｌｄ               ｓｈｏｏｔｉｎｇ               ｃａｐａｂｉｌｉｔｙ               ｗｉｔｈ               ａｕｄｉｏ               ｒｅｃｏｒｄｉｎｇ               ｃａｐａｂｉｌｉｔｙ               ｗｉｌｌ               ｌｏｏｋ               ｋｉｎｄｌｙ               ａｔ               ｔｈｅ               ｆｉｘｅｄ               ｆｏｃｕｓ               Ｑ3ＨＤ,               ｗｈｉｃｈ               ｃｏｍｂｉｎｅｓ               ｔｈｅ               Ｈ4ｎ'ｓ               ａｕｄｉｏ               ｔａｌｅｎｔｓ               ｗｉｔｈ               ｔｈａｔ               ｏｆ               ｈｉｇｈ-ｄｅｆｉｎｉｔｉｏｎ               ｖｉｄｅｏ.


               Ａｌｔｈｏｕｇｈ               ｗｅｌｌ-ｋｎｏｗｎ,               ＺＯＯＭ               ｄｏｅｓｎ'ｔ               ｈａｖｅ               ｔｈｅ               ｌｏｃｋ               ｏｎ               ａｕｄｉｏ               ｒｅｃｏｒｄｉｎｇ.

Ｏｌｙｍｐｕｓ               ｈａｓ               ｉｔｓ               ｓｔｕｄｉｏ-ｇｒａｄｅ               ＬＳ-10,               ｗｉｔｈ               ｌｉｎｅａｒ               ＰＣＭ               (Ｐｕｌｓｅｄ               Ｃｏｄｅ               Ｍｏｄｕｌａｔｉｏｎ)               ｒｅｃｏｒｄｉｎｇ               ｃａｐａｂｉｌｉｔｉｅｓ               ａｎｄ               ｓｔｅｒｅｏ               ａｕｄｉｏ               ｆｏｒｍａｔｓ               ｗｈｉｃｈ               ｉｎｃｌｕｄｅ               ｔｈｏｓｅ               ｐｏｐｕｌａｒ               ｗｉｔｈ               ｔｈｅ               ｃｏｍｐｕｔｉｎｇ               ｃｒｏｗｄ.

Ｕｐ               ｔｏ               12               ｈｏｕｒｓ               ｏｆ               ｒｅｃｏｒｄｉｎｇ               ｔｉｍｅ               ｓｈｏｕｌｄ               ｄｏ               ｔｈｅ               ｔｒｉｃｋ,               ａｎｄ               "ｎｏｉｓｅ"               ｓｈｏｕｌｄ               ｂｅ               ｗｅｌｌ               ｃｏｎｔａｉｎｅｄ               ｉｎ               ｔｈｅ               ｓｔｅｒｅｏ               ｍｉｃ,               ｃｏｕｒｔｅｓｙ               ｏｆ               ｔｈｅ               ｃｏｍｐａｎｙ'ｓ               ｅｘｐｅｒｔｉｓｅ               ｉｎ               ｔｈｅ               ｒｅｃｏｒｄｉｎｇ               ｆｉｅｌｄ.


               Ａｎｄ               ｆｏｒ               ｔｈｏｓｅ               ｗｈｏ               ｆｅｅｌ               ｔｈａｔ               ａ               ｍｕｓｉｃ               ｂａｃｋｇｒｏｕｎｄ               ｃｏｎｎｏｔｅｓ               ａｎ               ｅｍｐａｔｈｙ               ｆｏｒ               ｈｏｗ               ｓｏｕｎｄ               ｓｈｏｕｌｄ               ｂｅ               ｒｅｃｏｒｄｅｄ               -               ｔｕｒｎ               ｔｏ               Ｙａｍａｈａ'ｓ               ＰＯＣＫＥＴＲＡＫ               ｓｅｒｉｅｓ.

Ｗｈｉｃｈ               ｌｅｔｓ               ｙｏｕ               ｃｈｏｏｓｅ               ｆｒｏｍ               ａ               ｗｉｒｅｌｅｓｓ               ｒｅｍｏｔｅ               ｃｏｎｔｒｏｌｌｅｄ               Ｗ24               ｈｉｔｔｉｎｇ               ｓｔｅｒｅｏ               ｓｏｕｎｄ,               ｖｅｒｓｕｓ               ｔｈｅ               ＣＸ'ｓ               90-ｄｅｇｒｅｅ               Ｘ-Ｙ               ｍｉｃ               ｆｏｒ               ｆｕｌｌ               ｒａｎｇｅ               ｓｔｅｒｅｏｐｈｏｎｉｃ               ｒｅｃｏｒｄｉｎｇｓ,               ｒｅｃｈａｒｇｅａｂｌｅ               ｂａｔｔｅｒｙ               ａｎｄ               ＣＤ-ｑｕａｌｉｔｙ               ｒｅｓｕｌｔｓ.

Ｂｏｔｈ               ｍｏｄｅｌｓ               ａｄｄ               ａ               ｍｉｃｒｏ-ＳＤ               ｃａｒｄ,               ｓｏ               ｌｏｎｇ               ｈｏｕｒｓ               ｏｆ               ｒｅｃｏｒｄｉｎｇｓ               ａｒｅ               ｅａｓｉｌｙ               ａｃｃｏｍｐｌｉｓｈｅｄ.


               Ｄｉｇｉｔａｌ               ｒｅｃｏｒｄｅｒｓ               ｃａｐｔｕｒｅ               ｔｈｅ               ａｕｄｉｏ               ａｎｄ               ｔｈｅｎ               ｐｒｏｖｉｄｅ               ａｎ               ｏｕｔｌｅｔ               ｔｈｒｏｕｇｈ               ａ               ｃｏｍｐｕｔｅｒ               ｆｏｒ               ｆｉｎａｌ               ｒｅａｌｉｚａｔｉｏｎ               ｏｆ               ｔｈｅ               ｓｏｕｎｄ.

Ｂｙ               ｔｈｅｉｒ               ｓｉｚｅ               ａｌｏｎｅ,               ｗｅ'ｖｅ               ｍａｄｅ               ｇｒｅａｔ               ｓｔｒｉｄｅｓ               ｉｎ               ａｔｔａｉｎｉｎｇ               ｑｕａｌｉｔｙ               ａｕｄｉｏ               ｒｅｓｕｌｔｓ               ｆｒｏｍ               ａ               ｂｅｖｙ               ｏｆ               ｓｏｕｒｃｅｓ               ｔｈａｔ               ｌｅｔｓ               ｔｈｅ               ｕｓｅｒ               ｄｅｃｉｄｅ               ｗｈｉｃｈ               ｉｓ               ｔｈｅ               ｍｏｓｔ               ｃｏｍｆｏｒｔａｂｌｅ               ａｎｄ               ａｐｐｒｏｐｒｉａｔｅ               ｆｏｒ               ｔｈｅｉｒ               ｎｅｅｄｓ.
               Ａｕｄｉｏ               Ｍｉｘｅｒｓ               -               Ｗｈａｔ               Ｔｏ               Ｌｏｏｋ               Ｆｏｒ               
               Ａｕｄｉｏ               ｍｉｘｅｒｓ,               ｌｉｋｅ               ａｎｙ               ｅｌｅｃｔｒｏｎｉｃ               ｄｅｖｉｃｅ,               ｃａｎ               ｉｎｃｌｕｄｅ               ａｎｙ               ｎｕｍｂｅｒ               ｏｆ               ｆｅａｔｕｒｅｓ               ｔｈａｔ               ｍａｙ               ｌｏｏｋ               ａｐｐｅａｌｉｎｇ,               ｂｕｔ               ｓｏｍｅ               ｆｅａｔｕｒｅｓ               ａｒｅ               ｍｏｒｅ               ｉｍｐｏｒｔａｎｔ               ｔｈａｎ               ｏｔｈｅｒｓ,               ｅｓｐｅｃｉａｌｌｙ               ｗｈｅｎ               ｉｔ               ｃｏｍｅｓ               ｔｉｍｅ               ｆｏｒ               ｙｏｕ               ｔｏ               ｐｕｔ               ｔｈｅ               ｍｉｘｅｒ               ｉｎｔｏ               ａｃｔｉｏｎ.

Ｈｅｒｅ'ｓ               ａ               ｆｅｗ               ｔｉｐｓ               ｆｏｒ               ｐｉｃｋｉｎｇ               ａｎ               ａｕｄｉｏ               ｍｉｘｅｒ               ｔｈａｔ               ｗｉｌｌ               ｐｒｏｖｉｄｅ               ｔｈｅ               ｂｅｓｔ               ｐｅｒｓｏｎａｌｉｚｅｄ               ｂａｎｇ               ｆｏｒ               ｙｏｕｒ               ｂｕｃｋ:               
               Ｄｏｅｓ               ｔｈｅ               ｍｉｘｅｒ               ｓｕｐｐｌｙ               ｅｎｏｕｇｈ               ｉｎｐｕｔｓ               ｔｏ               ｍｅｅｔ               ｙｏｕｒ               ｎｅｅｄｓ?

Ｃｏｎｓｉｄｅｒ               ｗｈｅｒｅ               ｙｏｕ               ｗｉｌｌ               ｔｙｐｉｃａｌｌｙ               ｂｅ               ｕｓｉｎｇ               ｔｈｅ               ｍｉｘｅｒ,               ｆｏｒ               ｅｘａｍｐｌｅ,               ａｔ               ａ               ｌｉｖｅ               ｃｏｎｃｅｒｔ               ｗｈｅｒｅ               "Ｘ"               ｎｕｍｂｅｒ               ｏｆ               ｍｕｌｔｉｐｌｅ               ｍｉｃｒｏｐｈｏｎｅ               ｉｎｐｕｔｓ               ｃｏｕｌｄ               ｂｅ               ｎｅｅｄｅｄ.

Ｃｏｍｅ               ｔｏ               ａ               ｃｌｅａｒ               ｃｏｎｃｌｕｓｉｏｎ               ａｓ               ｔｏ               ｗｈｅｒｅ               ｙｏｕ               ｗｉｌｌ               ｂｅ               ｕｓｉｎｇ               ｔｈｅ               ｍｉｘｅｒ               ｍｏｓｔ,               ａｎｄ               ｔｈｅｎ               ｃｏｕｎｔ               ｔｈｅ               ｉｎｐｕｔｓ               ｔｏ               ｍａｋｅ               ｓｕｒｅ               ｙｏｕ               ｗｏｎ'ｔ               ｂｅ               ｃａｕｇｈｔ               ｓｈｏｒｔ               ｉｎ               ａ               ｐｉｎｃｈ.

Ｒｅｍｅｍｂｅｒ,               ｍｏｒｅ               ｉｓ               ａｌｗａｙｓ               ｂｅｔｔｅｒ,               ｓｉｎｃｅ               ｙｏｕ               ｃａｎ               ａｌｗａｙｓ               ＮＯＴ               ｕｓｅ               ａｎ               ｉｎｐｕｔ               ｗｈｅｎ               ｉｔ'ｓ               ｔｈｅｒｅ,               ｂｕｔ               ｔｈｅ               ｒｅｖｅｒｓｅ               ｉｓｎ'ｔ               ｔｒｕｅ.


               Ｔｈｉｎｋ               ａｂｏｕｔ               ｔｈｅ               ｋｉｎｄ               ｏｆ               ｉｎｐｕｔ               ｄｅｖｉｃｅｓ               ｙｏｕ               ｗｉｌｌ               ｂｅ               ｕｓｉｎｇ               ｗｉｔｈ               ｔｈｅ               ｍｉｘｅｒ               -               ｆｏｒ               ｅｘａｍｐｌｅ,               ｄｏｅｓ               ｔｈｅ               ｍｉｘｅｒ               ｓｕｐｐｌｙ               "Ｐｈａｎｔｏｍ"               ｐｏｗｅｒ?

Ｉｆ               ｙｏｕ               ｗｉｌｌ               ｂｅ               ｕｓｉｎｇ               ｃｏｎｄｅｎｓｅｒ               ｍｉｃｒｏｐｈｏｎｅｓ,               ｙｏｕ'ｌｌ               ｎｅｅｄ               ｔｈｉｓ.

Ａｇａｉｎ,               ａｓ               ｉｎ               ｔｈｅ               ｎｕｍｂｅｒ               ｏｆ               ｉｎｐｕｔｓ,               ｙｏｕ               ｃａｎ'ｔ               ａｄｄ               ａ               ｈａｒｄｗａｒｅ               ｆｅａｔｕｒｅ               ａｆｔｅｒ-ｔｈｅ-ｆａｃｔ               ｏｆ               ｐｕｒｃｈａｓｅ,               ｓｏ               ｍａｋｅ               ｓｕｒｅ               ｔｈｅ               ｍｉｘｅｒ'ｓ               ｇｏｔ               ｗｈａｔ               ｙｏｕ               ｎｅｅｄ.


               Ｄｏｅｓ               ｔｈｅ               ｍｉｘｅｒ               ｉｎｃｌｕｄｅ               ａｎｙ               ｗａｒｎｉｎｇ               ｆｅａｔｕｒｅｓ?

Ｆｏｒ               ｅｘａｍｐｌｅ,               ａｎ               "ｏｖｅｒｌｏａｄ"               ｗａｒｎｉｎｇ               ｌｉｇｈｔ               ｆｏｒ               ｗｈｅｎ               ｔｈｅ               ｇａｉｎ               ｈａｓ               ｂｅｅｎ               ｓｅｔ               ｔｏｏ               ｈｉｇｈ?

Ｔｈｅｙ               ｓａｙ               ａ               ｓｅｃｏｎｄ               ｓｅｔ               ｏｆ               ｅｙｅｓ               ｈｅｌｐｓ               ｔｏ               ａｖｏｉｄ               ｐｒｏｂｌｅｍｓ               ｉｎ               ｌｉｆｅ.

Ｔｈｅ               ｓａｍｅ               ｃａｎ               ｂｅ               ｓａｉｄ               ｔｈａｔ               ｔｈｅ               ｍｉｘｅｒ               ｃａｎ               ｗａｔｃｈ               ｏｕｔ               ｆｏｒ               ｙｏｕ               ａｓ               ｗｅｌｌ,               ｐｒｏｖｉｄｉｎｇ               ｉｔｓ               ｅｌｅｃｔｒｏｎｉｃｓ               ｈａｖｅ               ｂｅｅｎ               ｂｕｉｌｔ               ｔｏ               ｈａｎｄｌｅ               ｔｈｅ               ｔａｓｋ.


               Ｄｏｅｓ               ｔｈｅ               ｍｉｘｅｒ'ｓ               ｃｏｎｔｒｏｌｓ               ｆｏｌｌｏｗ               ｔｈｅ               ｗａｙ               ｙｏｕ               ｄｏ               ｔｈｉｎｇｓ?

Ｄｏ               ｙｏｕ               ｐｒｅｆｅｒ               ｓｌｉｄｅｒｓ               ｏｒ               ｋｎｏｂｓ,               ｆｏｒ               ｅｘａｍｐｌｅ?

Ｔｈｅｒｅ'ｓ               ｎｏ               ｎｕｍｅｒｉｃａｌ               ｄｉｆｆｅｒｅｎｃｅ               ｂｅｔｗｅｅｎ               ｔｕｒｎｉｎｇ               ａ               ｋｎｏｂ               ｏｒ               ｓｌｉｄｅｒ               ｔｏ               "3,"               ｂｕｔ               ｔｈｅｒｅ               ｃｅｒｔａｉｎｌｙ               ｉｓ               ａ               ｄｉｆｆｅｒｅｎｃｅ               ｉｎ               ｔｈｅ               ｌｅｖｅｌ               ｏｆ               ｃｏｎｔｒｏｌ               ｂｅｔｗｅｅｎ               ｔｈｅ               ｔｗｏ,               ｄｅｐｅｎｄｉｎｇ               ｏｎ               ｔｈｅ               ｐｅｒｓｏｎａｌ               ｐｒｅｆｅｒｅｎｃｅ               ｆｏｒ               ｃｏｎｔｒｏｌ.

Ａｎｏｔｈｅｒ               ｅｘａｍｐｌｅ               ｈｅｒｅ               ｉｓ               ｔｈｅ               ｗａｙ               ｔｈｅ               ｍｉｘｅｒ'ｓ               ｍｅｔｅｒ               ｍｏｎｉｔｏｒｓ               ｔｈｅ               ｖｏｌｕｍｅ               ｌｅｖｅｌ               -               ｉｓ               ｉｔ               ｎｅｅｄｌｅｓ               ｏｒ               ＬＥＤｓ?

Ｎｅｅｄｌｅｓ               ｍａｙ               ｒｅａｃｔ               ｓｌｏｗｅｒ               ｔｈａｎ               ＬＥＤｓ,               ｂｕｔ               ｓｏ               ｗｈａｔ?

Ｗｈｉｃｈ               ａｒｅ               ｙｏｕ               ｍｏｒｅ               ｈａｒｄ-ｗｉｒｅｄ               ｔｏ               ｒｅｓｐｏｎｄ               ｔｏ?


               Ｄｏｅｓ               ｔｈｅ               ｍｉｘｅｒ'ｓ               ｐｈｙｓｉｃａｌ               ｄｉｍｅｎｓｉｏｎｓ               ｍａｔｃｈ               ｙｏｕｒ               ｏｗｎ?

Ｗｈｉｃｈ               ｉｓ               ａｎｏｔｈｅｒ               ｗａｙ               ｏｆ               ａｓｋｉｎｇ               ｗｈｅｔｈｅｒ               ｙｏｕ               ｃａｎ               ａｃｔｉｖａｔｅ               ｔｈｅ               ｃｏｎｔｒｏｌｓ               ｗｉｔｈｏｕｔ               ｈａｖｉｎｇ               ｔｏ               ｐｅｒｆｏｒｍ               ａｎｙ               ｇｙｍｎａｓｔｉｃｓ               ｄｕｅ               ｔｏ               ｔｈｅｉｒ               ｐｌａｃｅｍｅｎｔ               ｏｒ               ｔｈｅｉｒ               ｐｈｙｓｉｃａｌ               ｓｉｚｅ.

Ｅｒｇｏｎｏｍｉｃｓ               ｍｉｇｈｔ               ｓｅｅｍ               ｏｕｔ               ｏｆ               ｐｌａｃｅ               ｈｅｒｅ,               ｂｕｔ               ｉｎ               ａｃｔｕａｌｉｔｙ               ｉｔ'ｓ               ｎｏｔ.
               Ａｕｄｉｏ               Ｍｉｘｅｒｓ               -               Ａｖｏｉｄｉｎｇ               Ｓｉｍｐｌｅ               Ｍｉｓｔａｋｅｓ               
               Ｕｓｉｎｇ               ａｎ               ａｕｄｉｏ               ｍｉｘｅｒ               ｃａｎ               ｂｅ               ａｓ               ｓｉｍｐｌｅ               ｏｒ               ｃｏｍｐｌｉｃａｔｅｄ               ａｓ               ｔｈｅ               ａｕｄｉｏ               ｉｔ               ｉｓ               ｄｅｓｉｇｎａｔｅｄ               ｔｏ               ｗｏｒｋ               ｗｉｔｈ.

Ｊｕｓｔ               ａｓ               ｙｏｕ               ｄｅｃｉｄｅ               ｈｏｗ               ｔｈｅ               ｍｉｘｅｒ               ｉｓ               ｇｏｉｎｇ               ｔｏ               ｂｅ               ｕｓｅｄ,               ｙｏｕ               ｃａｎ               ａｌｓｏ               ｅｎｓｕｒｅ               ｔｈａｔ               ｓｉｍｐｌｅ               ｍｉｓｔａｋｅｓ               ｄｏｎ'ｔ               ｏｃｃｕｒ               ｗｈｉｃｈ               ｃａｎ               ｃａｕｓｅ               ｇｒｉｅｆ               ｔｏ               ａｎ               ａｕｄｉｏ               ｓｅｓｓｉｏｎ'ｓ               ｓｕｃｃｅｓｓ.

Ｓｏｍｅ               ｏｆ               ｔｈｅｓｅ               ｍａｙ               ｓｏｕｎｄ               ｓｉｌｌｙ               -               ｗｅ               ｐｒｅｆｅｒ               ｔｏ               ｃａｌｌ               ｔｈｅｍ               "ｓｉｍｐｌｅ"               -               ｂｕｔ               ｒｅｇａｒｄｌｅｓｓ               ｔｈｅｙ'ｒｅ               ｗｏｒｔｈ               ａｖｏｉｄｉｎｇ;               
               Ｐｏｗｅｒ               ｃｏｒｄｓ               ａｎｄ               ａｕｄｉｏ               ｃａｂｌｅｓ               ｄｏｎ'ｔ               ｍｉｘ.

Ｂｙ               ｔｈｉｓ               ｗｅ               ｍｅａｎ               ｌｉｔｅｒａｌｌｙ.

Ｄｏｎ'ｔ               ｒｕｎ               ｔｈｅ               ｔｗｏ               ｓｉｄｅ               ｂｙ               ｓｉｄｅ               ｏｒ               ｗｒａｐ               ｃｏｒｄｓ               ａｒｏｕｎｄ               ｔｈｅｍ               ｂｏｔｈ.

Ｔｈｅ               ｒａｄｉｏ               ｆｒｅｑｕｅｎｃｙ               (ＲＦ)               ｇｅｎｅｒａｔｅｄ               ｗｉｌｌ               ｎｏｔ               ｐｌａｙ               ｎｉｃｅ               ｗｉｔｈ               ｔｈｅ               ａｕｄｉｏ               ｓｉｇｎａｌ,               ａｎｄ               ｔｈａｔ'ｓ               ｔｈｅ               ｍｉｌｄ               ｗａｙ               ｏｆ               ｓａｙｉｎｇ               ｉｔ.

Ｊｕｓｔ               ｔａｋｅ               ａ               ｆｅｗ               ｍｏｒｅ               ｍｉｎｕｔｅｓ               ｒｕｎｎｉｎｇ               ｔｈｅ               ｃｏｒｄｓ               ａｎｄ               ｃａｂｌｅｓ               ａｗａｙ               ｆｒｏｍ               ｅａｃｈ               ｏｔｈｅｒ,               ｒａｔｈｅｒ               ｔｈａｎ               ｗｏｒｒｙｉｎｇ               ａｂｏｕｔ               ｃｌｕｔｔｅｒ.

Ｂｅｓｉｄｅｓ,               ｔｈｅｒｅ'ｓ               ａｌｗａｙｓ               ｇａｆｆｅｒ'ｓ               ｔａｐｅ.


               Ｄｏｎ'ｔ               ｓｌｏｕｃｈ               ｏｎ               ｔｈｅ               ａｕｄｉｏ               ｃａｂｌｅｓ.

Ｎｏｂｏｄｙ               ｗａｎｔｓ               ｔｏ               ｓｐｅｎｄ               ｍｏｒｅ               ｔｈａｎ               ｔｈｅｙ               ｈａｖｅ               ｔｏ               ｏｎ               ａｎｙｔｈｉｎｇ,               ｃａｂｌｅｓ               ｉｎｃｌｕｄｅｄ,               ｂｕｔ               ｔｈｅｒｅ'ｓ               ａ               ｐｏｉｎｔ               ａｔ               ｗｈｉｃｈ               ｔｈｅ               ｓａｖｉｎｇｓ               ｏｎ               ｗｈａｔ               ｙｏｕ               ａｒｅ               ｂｕｙｉｎｇ               ｄｏｎ'ｔ               ｅｑｕａｌ               ｔｈｅ               ｓｉｇｎａｌ               ｑｕａｌｉｔｙ               ｙｏｕ               ｅｘｐｅｃｔ.

Ｂｒａｎｄ               ｎａｍｅｓ               ｍａｙ               ｂｅ               ａ               ｂｉｔ               ｍｏｒｅ               ｃｏｓｔｌｙ               ｔｈａｎ               ｔｈｅ               ｂａｒｇａｉｎ               ｂｉｎ,               ｂｕｔ               ｔｈａｔ               ｕｓｕａｌｌｙ               ｔｒａｎｓｌａｔｅｓ               ｉｎｔｏ               ｔｒｕｓｔｗｏｒｔｈｉｎｅｓｓ.

Ｒｅｍｅｍｂｅｒ               ｔｈｅ               ｓｌｏｇａｎ               ＧＩＧＯ               (ｇａｒｂａｇｅ               ｉｎ,               ｇａｒｂａｇｅ               ｏｕｔ).


               Ｙｏｕ               ｂａｔｈｅ,               ｓｏ               ｗｈｙ               ｎｏｔ               ｙｏｕｒ               ｍｉｘｅｒ?

Ｏｒ               ｔｏ               ｂｅ               ｍｏｒｅ               ｓｕｃｃｉｎｃｔ,               ｔａｋｉｎｇ               ｃａｒｅ               ｏｆ               ｔｈｅ               ｍｉｘｅｒ               ａｆｔｅｒ               ｉｔ'ｓ               ｂｅｅｎ               ｏｕｔ               ｉｎ               ｔｈｅ               ｆｉｅｌｄ               ｍｅａｎｓ               ｍｏｒｅ               ｔｈａｎ               ｊｕｓｔ               ｔｒａｎｓｐｏｒｔｉｎｇ               ｉｔ               ａｒｏｕｎｄ               ｉｎ               ａ               ｃａｓｅ.

Ｃｈｅｃｋ               ｔｈｅ               ｉｎ-ｐｕｔｓ/ｏｕｔｐｕｔｓ               ｆｏｒ               ｄｅｂｒｉｓ               ｔｈａｔ               ｃａｎ               ｉｎｈｉｂｉｔ               ａ               ｇｏｏｄ               ｃｏｎｎｅｃｔｉｏｎ               -               ｉｆ               ｄｉｒｔｙ,               ｃｌｅａｎ               ｔｈｅｍ               ｗｉｔｈ               ｅｌｅｃｔｒｉｃａｌ               ｃｌｅａｎｉｎｇ               ｓｐｒａｙ,               ｆｏｒ               ｅｘａｍｐｌｅ.

Ｄｕｓｔ               ｔｈａｔ               ｈａｓ               ｇｏｔｔｅｎ               ａｒｏｕｎｄ               ｔｈｅ               ｃｏｎｔｒｏｌｓ               ｃａｎ               ｂｅ               ｒｅｍｏｖｅｄ               ｕｓｉｎｇ               ａ               ｃｏｔｔｏｎ               ｓｗａｂ               -               ａ               ｆｅｗ               ｍｉｎｕｔｅｓ               ｔｉｍｅ               ｉｓ               ｗｅｌｌ               ｗｏｒｔｈ               ｔｈｅ               ｔｒｏｕｂｌｅ               ｗｈｅｎ               ｙｏｕ               ｃｏｍｐａｒｅ               ｔｈａｔ               ｔｏ               ｓｔｉｃｋｉｎｇ               ｃｏｎｔｒｏｌｓ.


               Ｄｏｎ'ｔ               ｔｒｅａｔ               ｙｏｕｒ               ｍｉｘｅｒ               ｌｉｋｅ               ｉｔ'ｓ               Ｓｕｐｅｒｍａｎ.

Ｅｌｅｃｔｒｏｎｉｃｓ               ｍｉｇｈｔ               ｂｅ               ｍｏｒｅ               ｄｕｒａｂｌｅ               ｔｈａｎ               ｅｖｅｒ,               ｂｕｔ               ｔｈｅｒｅ'ｓ               ｓｔｉｌｌ               ｗｉｒｉｎｇ,               ｓｃｒｅｗｅｄ               ｔｏｇｅｔｈｅｒ               ｓｅｃｔｉｏｎｓ               ａｎｄ               ｅｎｏｕｇｈ               ｒｏｏｍ               ｔｏ               ｒａｔｔｌｅ               ｐａｒｔｓ               ｉｆ               ｂｒｏｋｅｎ               ｆｒｅｅ.

Ｔｒｅａｔ               ｙｏｕｒ               ｍｉｘｅｒ               ｗｉｔｈ               ｒｅｓｐｅｃｔ               ａｎｄ               ｉｔ'ｌｌ               ｓｔｉｃｋ               ｗｉｔｈ               ｙｏｕ               ａ               ｌｏｎｇ               ｌｏｎｇ               ｔｉｍｅ.
               Ｃｌｉｃｋ               ｈｅｒｅ               ｔｏ               ｄｏｗｎｌｏａｄ               ａ               ＰＤＦ               ｏｆ               Ｖｉｄｅｏｍａｋｅｒ'ｓ               Ａｕｄｉｏ               Ｆｉｅｌｄ               Ｍｉｘｅｒｓ               &               Ｒｅｃｏｒｄｅｒｓ               Ｂｕｙｅｒ'ｓ               Ｇｕｉｄｅ







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      11. Fx Trade Signals - Blog Homepage Results

      FX Trade Signalsbyfx-tradesignals
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      FX Trading Signalsbyfxtradesignals
      http://fxtradesignals.wordpress.com/
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    댓글 2개:

    1. Blogger2016년 9월 8일 오후 11:55

      Hello Everybody,

      I've attached a list of the most recommended forex brokers:
      1. Best Forex Broker
      2. eToro - $50 min. deposit.

      Here is a list of the best forex tools:
      1. ForexTrendy - Recommended Odds Software.
      2. EA Builder - Custom Strategies Autotrading.
      3. Fast FX Profit - Secret Forex Strategy.

      Hopefully these lists are helpful to you...

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    2. Forex Signals2017년 12월 5일 오전 1:55

      작성자가 댓글을 삭제했습니다.

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